A flexible missive composed from the crossways of gender, special needs, injury, and survival. “Some ladies are not made,” torrin a. greathouse composes, “however spring from the dirt.” Directed by a devastatingly exact hand, Injury from the Mouth of an Injury– picked by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Reward for Poetry– challenges a canon that chooses what tones of appeal are worthy of to reside in a poem.
greathouse commemorates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not without significance, and in kinetic and energetic language, she honors bodies the world frequently desires dead.
These poems hurt, however they do not give up. They bleed, however they spit the blood in our eyes. Their images pulses on the page, fractal and fluid, flowering in an assortment of kinds: damaged essays, haibun born of erasure, a sonnet implied to be checked out in the mirror.
greathouse’s poetry needs more of language and those who wield it. “I’m still discovering not to let a complete stranger speak/ me into a funeral service.” Concrete and expressive, Wound from the Mouth of an Injury is a testimony to determination, even when the body is not permitted to prosper.
greathouse– classy, vicious, “a one-girl armageddon” curtained in crushed velour– teaches us that fragility is not associated with defect.
http://phlebotomycareertraining.org/wound-from-the-mouth-of-an-injury/
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